A Companion to Renaissance and Baroque Art provides a diverse, fresh collection of accessible, comprehensive essays addressing key issues for European art produced between 1300 and 1700, a period that might be termed the beginning of modern history.

James M. Saslow is Professor of Art History, Theatre, and Renaissance Studies at Queens College and the Graduate Center, City University of New York. His most recent book,Pictures and Passions: A History of Homosexuality in the Visual Arts (1999), received two awards from the Lambda Literary Foundation.

Preface/Acknowledgments

Introduction
Babette Bohn and James M. Saslow, Co-Editors

Part 1.  The Context: Social-Historical Factors in Artistic Production

1. A Taxonomy of Art Patronage in Renaissance Italy
Sheryl Reiss

2. Judaism and the Arts in Early Modern Europe: Jewish and Christian Encounters
Shelley Perlove

3. Religion, Politics and Art in Late Medieval and Renaissance Italy
Julia I. Miller

4. Europe's Global Vision
Larry Silver

5. Italian Art and the North: Exchanges, Critical Reception, and Identity, 1400-1700
Amy Golahny

6. The Desiring Eye: Gender, Sexuality, and Visual Art
James M. Saslow

Part 2.  The Artist: Creative Process and Social Stature

7. The Artist as Genius
William E. Wallace

8. Drawing in Renaissance Italy
Mary Vaccaro

9. Self-portraiture 1400-1700
H. Perry Chapman

10. Recasting the Role of the Italian Sculptor: Sculptors, Patrons, Materials, and Principles for the New Early Modern Age    
Elinor Richter

11. From Oxymoron to Virile Paintbrush: Women Artists in Early Modern Europe
Babette Bohn

Part 3.  The Object: Art as Material Culture

12. The Birth of Mass Media: Printmaking in Early Modern Europe
Alison Stewart

13. The Material Culture of Family Life in Italy and Beyond
Jacqueline Marie Musacchio

14. Tapestry: Luxurious Art, Collaborative Industry
Koenraad Brosens
 
15. The New Sciences and the Visual Arts  
Eileen Reeves

16. Seeing Through Renaissance and Baroque Paintings: Case Studies
Claire Barry

Part 4.  The Message: Subjects and Meanings

17. Iconography in Renaissance and Baroque Art
Mark Zucker

18. Renaissance Landscapes: Discovering the World and Human Nature
Lawrence O. Goedde

19. The Nude Figure in Renaissance Art
Thomas Martin

20. Genre painting in Seventeenth-century Europe
Wayne Franits

21. The Meaning of the European Painted Portrait, 1400-1650
Joanna Woods-Marsden

22. All the World's a Stage: The Theater Conceit in Early Modern Italy
Inge Reist

23. Intensity and Orthodoxy in Iberian and Hispanic Art of the Tridentine Era, 1550-1700   
Marcus Burke

Part 5.  The Viewer, the Critic, and the Historian: Reception and Interpretation as Cultural Discourse

24. Historians of Northern European Art: from Johann Neudörfer and Karel Van Mander to the Rembrandt Research Project
Jeffrey Chipps Smith

25. Artistic Biography in Italy: Vasari to Malvasia 
David Cast

26. With a Critical Eye: Painting and Theory in France, 1600-1643. The Case of Simon Vouet and Nicolas Poussin

Contributors viii

Preface xv

Acknowledgments xvii

Introduction 1
Babette Bohn and James M. Saslow

Part 1 The Context: Social-Historical Factors in Artistic Production 21

1 A Taxonomy of Art Patronage in Renaissance Italy 23
Sheryl E. Reiss

2 Judaism and the Arts in Early Modern Europe: Jewish and Christian Encounters 44
Shelley Perlove

3 Religion, Politics, and Art in Late Medieval and Renaissance Italy 65
Julia I. Miller

4 Europes Global Vision 85
Larry Silver

5 Italian Art and the North: Exchanges, Critical Reception, and Identity, 14001700 106
Amy Golahny

6 The Desiring Eye: Gender, Sexuality, and the Visual Arts 127
James M. Saslow

Part 2 The Artist: Creative Process and Social Status 149

7 The Artist as Genius 151
William E. Wallace

8 Drawing in Renaissance Italy 168
Mary Vaccaro

9 Self-Portraiture 14001700 189
H. Perry Chapman

10 Recasting the Role of the Italian Sculptor: Sculptors, Patrons, Materials, and Principles for the New Early Modern Age 210
Elinor M. Richter

11 From Oxymoron to Virile Paintbrush: Women Artists in Early Modern Europe 229
Babette Bohn

Part 3 The Object: Art as Material Culture 251

12 The Birth of Mass Media: Printmaking in Early Modern Europe 253
Alison G. Stewart

13 The Material Culture of Family Life in Italy and Beyond 275
Jacqueline Marie Musacchio

14 Tapestry: Luxurious Art, Collaborative Industry 295
Koenraad Brosens

15 The New Sciences and the Visual Arts 316
Eileen Reeves

16 Seeing Through Renaissance and Baroque Paintings: Case Studies 336
Claire Barry

Part 4 The Message: Subjects and Meanings 359

17 Iconography in Renaissance and Baroque Art 361
Mark Zucker

18 Renaissance Landscapes: Discovering the World and Human Nature 381
Lawrence O. Goedde

19 The Nude Figure in Renaissance Art 402
Thomas Martin

20 Genre Painting in Seventeenth-Century Europe 422
Wayne Franits

21 The Meaning of the European Painted Portrait, 14001650 442
Joanna Woods-Marsden

22 All the Worlds a Stage: The Theater Conceit in Early Modern Italy 463
Inge Jackson Reist

23 Intensity and Orthodoxy in Iberian and Hispanic Art of the Tridentine Era, 15501700 484
Marcus B. Burke

Part 5 The Viewer, the Critic, and the Historian: Reception and Interpretation as Cultural Discourse 505

24 Historians of Northern European Art: From Johann Neudörfer and Karel van Mander to the Rembrandt Research Project 507
Jeffrey Chipps Smith

25 Artistic Biography in Italy: Vasari to Malvasia 525
David Cast

26 With a Critical Eye: Painting and Theory in France, 160043 The Case of Simon Vouet and Nicolas Poussin 541
Joseph C. Forte

27 The Italian Piazza: From Gothic Footnote to Baroque Theater 561
Niall Atkinson

28 Building in Theory and Practice: Writing about Architecture in the Renaissance 582
Carolyn Yerkes

Index 602